The Negro Ensemble Company connects with students
During the week of October 16, the Negro Ensemble Company (NEC), our 23/24 season artist-in-residence, prepared to perform No Policy, No Justice, an evening of world premiere one-act plays by Mona Washington (
Elevator Not Necessary) and Cynthia Grace Robinson (
Breathe) that addressed how mourners process deaths of loved ones lost to gun violence. Penn theatre arts, creative writing and English classes hosted NEC artists throughout the week leading up to the performances, beginning with director Ralph McCain in August Wilson and Beyond, the Academically Based Community Service course, co-taught this semester by Margit Edwards and Suzana Berger. McCain found clear connections between Wilson’s legacy of writing about Black communities and the emotional exploration of the aftermath of violence in the plays, and he exchanged stories with students about the frightening grip gun violence has on everyday American life.
Read more...Doug Varone brings his latest masterwork, Somewhere, to Philadelphia
Expect the unexpected when the award-winning Doug Varone and Dancers burst onto our stage with the Philadelphia premiere of
Somewhere, an inventive plotless take on Leonard Bernstein’s memorable score for
West Side Story. Founder Doug Varone’s signature style is acclaimed for its fluid athleticism, painterly musicality, speed, naturalism and emotional depth that speaks to the human spirit. “This is a company of master dancers, performing masterly choreography.” (
Newsday) It is no wonder the company is an 11-time Bessie Award recipient with performances in 125 cities worldwide.
Read more...5 Questions with Ulysses Owens Jr.
Grammy® Award-winning jazz trailblazer Ulysses Owens Jr. returns to our stage on Oct 29 with his high-octane big band, following his incredible Philadelphia debut performance last season. “A fiery and creative drummer,” (DownBeat) Owens connected with us for today’s 5 Questions feature, sharing insight into the guiding forces that propelled his career and current work. Read more...
Toll the Bell
When we curate each annual season, we balance a range of ideas, objectives, and program goals, including our ongoing commitment to artists that address topical issues of our time. Programs at the
Annenberg Center have always dealt with pressing issues of the day, whether it be through August Wilson’s plays, campus-wide artist residencies, or commissions of new work such as the 2017 world premiere of
A Period of Animate Existence. Our aim each year is to provide audiences with a range of performances that delight, entertain, challenge, and inspire, and we know that so many of our artists are telling important stories that help us, as the audience, reflect and consider our world differently.
Read more...5 Questions with David T. Little
“One of the most imaginative young composers,” (
The New Yorker) David T. Little is known for his “knack for overturning musical conventions.” (
The New York Times) His theatrical choral work,
SIN-EATER, a Penn Live Arts co-commission, will see its world premiere on Oct 14-15, performed by Philadelphia’s Grammy® Award-winning new music choir, The Crossing, and the Bergamot Quartet. Little is also featured as part of our
ListenHear series, showcasing significant contemporary musical voices. In today’s 5 Questions feature, we get to learn how early music memories and a wide breadth of influences have influenced Little’s work. Enjoy!
Read more...An extraordinary lineage, Havana’s Malpaso Dance Company makes its Penn Live Arts debut
Posted September 27, 2023
There’s a saying that everyone dances in Cuba. This dancing island boasts rich histories and colorful traditions from Africa, the Caribbean, the Americas, Asia and Europe. It is no wonder Cuba has spawned some of the greatest dancers of all time, including Alicia Alonso, superstar prima ballerina and founder of the National Ballet of Cuba, as well as the world’s most popular music styles such as the son (salsa), mambo, cha-cha-chá, merengue, guaguancó, bolero and Afro-Latin jazz. Hailing from this cultural hotspot, the technically gifted, versatile and strikingly gorgeous Malpaso Dance Company (MDC) makes its
Penn Live Arts debut October 6-7 with the world premiere of
A Dancing Island plus two Philadelphia premieres,
Indomitable Waltz and
La Última Canción.
Read more...Summer Internship Reflections: Ejun Hong
Posted September 13, 2023
Our Arts Career Connections initiative helped four Penn students pursue internships in the arts and entertainment field this summer. As these opportunities conclude, we were excited to hear this reflection from Ejun Hong, who spent time with Walt Disney Family Museum in San Francisco and All Ages Productions in Philadelphia:
During the first half of my summer, I worked as a Studio & Education intern at the Walt Disney Family Museum (WDFM). In this role, I was actively engaged in producing posters, storyboards and animatics for the upcoming animation film festival.
Read more...Summer Internship Reflections
This summer, Hollywood looked and felt a bit different as the SAG-AFTRA and WGA strikes continued, but that didn’t faze Penn summer interns Lucy Gale (SAS ‘25) and Evan Golinsky (SAS ’24), who both pursued talent management opportunities in Los Angeles with the help of our Arts Career Connections initiative. The program responds to an appetite on campus for enhanced support of career exploration in the arts and has provided summer funding support to students in a range of arts industries since 2022.
Read more...2023 Summer Hiatus
Our 50th anniversary season has come to a close. Thank you to our incredible artists and dedicated patrons and supporters. It’s been a truly spectacular year celebrating our legacy while looking to the next 50 years and beyond.
Read more...New Student Performing Arts Center Takes Shape
Recently, the Trustees of the University of Pennsylvania reviewed and advanced the design plans for a new
Student Performing Arts Center. The trapezoidal-shaped building will be located within a prominent triangular site at 33rd and Chestnut Streets.
The new center, along with the planned Stuart Weitzman Theatre, are the biggest investments in performing arts at Penn since the Annenberg Center opened its doors over 50 years ago. Read more...
