Carols after a Plague
Silence not Holy Black MadonnaMother of AllOffer sacred praise to herIf not, thy tongue should silence giveHoly tone she isWholly listen in
Artwork by Sasan Saidi
- Shara Nova, from Carols after a Plague: II. Tone-policing
Like so much that has happened in the last twelve or more months, Carols after a Plague is the solution to a problem. In fact, so much of creativity, whether artistic or scientific, is the result of facing a challenge that needs solving. In this case, the challenge posed was multi-faceted: “How to record these conflicting feelings, born of isolation, fear, and social unrest? How to make a record of this time? How to better reflect the community we live in?” Read more...
The Month of Moderns 2021
New Music U.S. Premiere World Premieres
The Crossing is grateful to be presented by Annenberg Center, our frequent partner.
Entering our second summer of a global pandemic, it could be easy to feel things are quickly returning to “normal,” due to the amazing efficiency of scientists, a surprisingly responsible government (we’d come to expect the opposite), and vigilance on the part of our singers. Yet, the wounds are deep, and the virus lingers nearby, worse than ever in parts of the world that are not able to invest the extraordinary resources available to us in the United States.
I say this because our festival this summer - while being a full Month of Moderns, with three different programs in three weeks – is anything but “normal.” Entirely outside, designed for distance and safety during the pandemic, and capturing this moment in time – a moment when we are confused in balancing hope and caution, fear and defiance, all couched in humility. So, the works we sing this summer address these emotions head on, and that makes me more excited than ever for a Month of Moderns because not only will we be together, but we’ll be mining every bit of what we’ve been through. Read more...