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Penn Live Arts Blog / By / Donald Nally

Carols after a Plague

Posted December 8, 2021

Artwork by Sasan Saidi
Silence not Holy Black Madonna
Mother of All
Offer sacred praise to her
If not, thy tongue should silence give
Holy tone she is
Wholly listen in
- Shara Nova, from Carols after a Plague: II. Tone-policing

Like so much that has happened in the last twelve or more months, Carols after a Plague is the solution to a problem. In fact, so much of creativity, whether artistic or scientific, is the result of facing a challenge that needs solving. In this case, the challenge posed was multi-faceted: “How to record these conflicting feelings, born of isolation, fear, and social unrest? How to make a record of this time? How to better reflect the community we live in?” Read more...

The Month of Moderns 2021

Posted May 25, 2021

New Music U.S. Premiere World Premieres

The Crossing is grateful to be presented by Annenberg Center, our frequent partner.

Entering our second summer of a global pandemic, it could be easy to feel things are quickly returning to “normal,” due to the amazing efficiency of scientists, a surprisingly responsible government (we’d come to expect the opposite), and vigilance on the part of our singers. Yet, the wounds are deep, and the virus lingers nearby, worse than ever in parts of the world that are not able to invest the extraordinary resources available to us in the United States.

I say this because our festival this summer - while being a full Month of Moderns, with three different programs in three weeks – is anything but “normal.” Entirely outside, designed for distance and safety during the pandemic, and capturing this moment in time – a moment when we are confused in balancing hope and caution, fear and defiance, all couched in humility. So, the works we sing this summer address these emotions head on, and that makes me more excited than ever for a Month of Moderns because not only will we be together, but we’ll be mining every bit of what we’ve been through. Read more...